SYNOPSIS

Amedeo Modigliani, embittered and unrecognized genius, dies of meningitis on a cold January day in Montparnasse in 1920.
Jeanne Hébuterne, his young wife and muse, follows 48 hours later, falling backwards through a window.
Now a ghost, Jeanne drifts about the studio she shared with Modigliani—for she was not only his favorite model, but also an artist whose works were later shut away from public view after her demise. Enraged, she watches as her belongings are removed from the studio and her identity as an artist seemingly effaced for posterity, carried off in a suitcase by her brother. She then sets off to rejoin Modigliani in the underworld.
Thus begins Loving Modigliani, retelling the story of Jeanne Hébuterne’s fate as a woman and an artist through three timelines and three precious objects stolen from the studio: a notebook, a bangle, and a self-portrait of Jeanne depicted together with Modi and their daughter. Decades later, a young art history student will discover Jeanne’s diary and rescue her artwork from oblivion, after a search leading from Paris to Nice, Rome, and Venice, where Jeanne’s own quest will find its joyful reward.

There is much to like about this book: If you’re longing to visit Paris, but can’t travel due to COVID-19 restrictions, this book will not only take you there, but will also bring alive the streets and cafés of Montparnasse, the Marais, and the Île St-Louis in full multi-sensory detail — the history, clothes, sounds, smells, textures, and daily rhythms — of the past and present:  If you’ve heard only the abridged drama of Modigliani and Jeanne as star-crossed lovers who died too soon, you will gain a deeper perspective with the story now told.

If you enjoy a compelling mystery, you will be swept in and will find that not all the puzzles will be easily solved. You will have to rouse your inner sleuth.

ABOUT THE AUTHOR

SYNOPSIS

Beaulieu Delhomme, a piano tuner, faces the guillotine for committing treason against the newly elected French president due to his part in the bloody worker uprisings in 1848. The one person who could save him from this fate is his former arch-rival, the celebrated author, George Sand. The plot leading to his imprisonment revolves around the triangle of composer Frédéric Chopin, his lover George Sand, and Delhomme, Chopin’s loyal piano tuner. Both Sand and Delhomme compete for the attention of Chopin, who fights a losing battle with tuberculosis. The president’s spymaster uses this triangle to lure cash-strapped Delhomme into exploiting his friendship with Chopin to spy on George Sand, whose fiery rhetoric threatens the new president.

At first, before the uprisings that marked a tumultuous period out of which France’s Second Republic grew, Delhomme favors preserving the status quo because any policy changes might jeopardize his (and Chopin’s) wealthy client base. Sand wields her pen against the oppressive laws and ridicules Delhomme for his views.
Delhomme changes his opinion of the monarchy when he sees how his nephew is abused as an orphan working in a piano factory in industrial London. Delhomme becomes a double agent, paid to spy for the president while secretly working for the resistance. Sand softens her contempt when she discovers that he has switched allegiances and now promotes workers’ rights.
Delhomme is caught working for the resistance, jailed in Paris’ infamous Conciergerie prison, and faces a trial for treason. Even Sand’s testimony is not enough to trump that of the vaunted spymaster, but her fame may be enough to persuade the new president to pardon him.

ABOUT THE AUTHOR